12 12 12 Season 1 Soundtrack
Told across three non-linear timelines, the series follows the intricate planning, chaotic execution, and deadly aftermath of a massive heist targeting an underground vault in Zurich. When the operation fractures under pressure, disgraced FBI investigator Jack Strickland (Anthony Mackie) launches a relentless manhunt against calculating criminal mastermind Paul Galvin (Jamie Dornan), igniting a high-stakes cat-and-mouse chase across continental Europe.
Episode 1 Songs: "All for a F*****g Betamax, Dad" (2026-11-12)
1 TrackEpisode 2 Songs: "I Want My Halo Back" (2026-11-12)
1 Track| Episode | Title | Release Date | Platform |
|---|---|---|---|
| Episode 1 | All for a F*****g Betamax, Dad | November 12, 2026 | Aired |
| Episode 2 | I Want My Halo Back | November 12, 2026 | Aired |
| Episode 3 | Episode 3 | November 19, 2026 | Upcoming |
| Episode 4 | Episode 4 | November 26, 2026 | Upcoming |
| Episode 5 | Episode 5 | December 3, 2026 | Upcoming |
| Episode 6 | Episode 6 | December 10, 2026 | Upcoming |
| Episode 7 | Episode 7 | December 17, 2026 | Upcoming |
| Episode 8 | Season Finale | December 24, 2026 | Upcoming |
12 12 12 Season 1 — Overview & Musical Style
Created by Dudi Appleton and Jim Keeble, 12 12 12 reconstructs a daring bank vault robbery in Zurich, Switzerland, structured through three interlocking timelines: twelve months of meticulous planning, twelve hours of chaotic heist execution, and twelve days of frantic European fallout. Anthony Mackie stars as relentless FBI agent Jack Strickland, locked in an escalating international game of cat-and-mouse with Jamie Dornan's calculated criminal mastermind Paul Galvin. Supported by a multinational ensemble including Kali Reis, Jack Kesy, Agathe Rousselle, and Ólafur Darri Ólafsson, the Apple TV original balances high-octane heist logistics with psychological paranoia across continental Europe.
Music supervisors Keana Bernard and Iain Cooke design a sharp, eclectic musical framework that underlines the series' cross-border scale and kinetic momentum. The premiere culminates in The Last Dinner Party's theatrical baroque-rock anthem "Rifle", whose dynamic guitars and operatic vocal arrangements punctuate the closing tensions of the opening hour. In Episode 2, the soundtrack pivots across the Channel to spotlight French breakout sensation Zaho de Sagazan with her dark synth-chanson cut "Tristesse", blending moody electronic baselines and expressive French lyricism into the aftermath of a botched rendezvous. These distinct needle drops capture both the sophisticated glamour of European banking hubs and the raw adrenaline of a crew unspooling under pressure.
Providing narrative cohesion beneath these bold licensed tracks is an original score by Argentine composer Federico Jusid. Known for his taut, propulsive orchestral textures, Jusid utilizes driving acoustic strings, brass hits, and ticking percussive motifs that count down the hours inside the vault while tracking Strickland and Galvin across multiple European jurisdictions. Together, the contributions of Bernard, Cooke, and Jusid establish a sleek, propulsive auditory identity for one of the most structurally inventive crime dramas of the season.