Paper Tiger Soundtrack (2026)
Set against the weathered streets of 1986 Queens and the toxic industrial waterfront of the Gowanus Canal, two working-class siblings pursue an ambitious environmental cleanup contract in hopes of securing their American Dream. When flashy former police officer Gary Pearl (Adam Driver) and his pragmatic engineer brother Irwin (Miles Teller) unwittingly accept financing tied to the Russian mafia, their legitimate venture plunges into a treacherous spiral of extortion, police scrutiny, and underworld retribution. As violent threats converge on Irwin's wife Hester (Scarlett Johansson) and their sons, fragile family bonds crack under escalating paranoia.
Paper Tiger Soundtrack (2026) — Featured Songs
7 TracksOriginal Motion Picture Score
14 TracksPaper Tiger (2026) — Overview & Musical Style
Written and directed by auteur filmmaker James Gray, Paper Tiger captures the grit, moral complexity, and melancholic atmosphere of mid-1980s New York. Competing in official selection at the 2026 Cannes Film Festival, the crime drama stars Adam Driver as charismatic ex-cop Gary Pearl and Miles Teller as his earnest brother Irwin, chronicling their ill-fated environmental enterprise along Brooklyn's contaminated Gowanus Canal. With Scarlett Johansson delivering a grounded performance as Irwin's fiercely protective wife Hester, the film examines the collapse of the American Dream when working-class ambition collides with ruthless Russian organized crime.
Music supervisor Joe Rudge reconstructs the tactile sonic environment of suburban New York in 1986, interweaving genuine period radio hits with vintage jazz and soul classics. Domestic routines and suburban backyard gatherings contrast with creeping underworld tension through cuts like 10cc's witty opener 'Good Morning Judge', Pretenders' melodic post-punk track 'Day After Day', and Earth, Wind & Fire's timeless funk centerpiece 'Shining Star'. As the Pearl family celebrates an eighteenth birthday party while their syndicate debts mount, vibrant pop cuts like Culture Club's 'Time (Clock of the Heart)' and Fine Young Cannibals' 'Johnny Come Home' underscore the agonizing disconnect between domestic celebration and impending ruin, rounded out by Lee Morgan's classic hard-bop number 'The Sidewinder'.
Providing the narrative's emotional anchor is a brooding, classical-leaning original score composed by long-time James Gray collaborator Christopher Spelman, released officially as Paper Tiger (Original Motion Picture Soundtrack). Spelman utilizes restrained acoustic orchestration, mournful solo strings, and brooding horn cues on pieces like 'The Canal in Daytime', 'Brothers', and 'Reconciliation', while incorporating operatic motifs from Giacomo Puccini's Il Tabarro. The result is an evocative musical architecture that amplifies Gray's tragic vision, tracing Irwin and Gary's descent with emotional weight and artistic precision.